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Articles in international referee journals
Riikonen, Taina & Saario, Antti Sakari. 2011. Listening to the Replayed Touch: A Strata-aural Manifesto.
Body, Space & Technology, Vol. 10/01. Online:

Riikonen, Taina. 2004. Shared sounds in detached movements: flautist identities inside the ’local-field’ spaces.
Organised Sound 9 (3): 235-244.

Riikonen, Taina. 2003. Virtual reverberation Spaces and Transformative Gender Identities in Kaija Saariaho’s NoaNoa for Flute and Electronics.
Organised Sound 8 (1):109-115.

Articles in international referee anthologies
Riikonen, Taina. 2011. Stories from the Mouth. Flautists, Bodily Presence, and Intimacy in Kaija Saariaho’s Flute Music. In Kaija Saariaho: Visions, Narratives, Dialogues. Ed. By Tim Howell. Surrey: Ashgate Publishing.

Riikonen, Taina. 2008. Producing Microscopic Embodied Spaces: The Flautist’s Mouth, Reverberation Effects and Kaija Saaraho’s Lichtbogen. In Sonic Mediations. Body Sound Technology. Eds. By Carolyn Birdsall & Anthony Enns. Newcastle upon Tyne: Cambridge Scholars Publishing. 143-157.

Articles in Finnish referee journals
Riikonen, Taina. 2014. Liikkeitä julkisessa kulkuvälineessä. Hiljaisuus, koskettaminen ja teknologiatartunnat helsinkiläisessä raitiovaunussa. [Movements in the Public Transport. Silence, Touching and Technological Contaminations in the Tram in Helsinki].
Media & Viestintä 3-4/2013.

Riikonen, Taina. 2013. Those Lips Were Made to Suck That Button.
Ruukku, Taiteellisen tutkimuksen kausijulkaisu. Studies in Artistic Research. 1/2013.

Riikonen, Taina. 2013. Tapaus 000987 – äänittäminen ruumiin säilömisenä ja Christian Boltanskin Sydänääniarkisto. [The case number 000987 – Recording as Preserving the Body and the Heart Archive by Christian Boltanski ]
Mustekala 2/2013, Volume 51.

Riikonen, Taina. 2011. Hengitystä ihollasi: ruumiillisuus ja äänittäminen. [Breathing on Your Skin: Recording and Embodiment].
Mustekala 4/11, Volume 44.

Riikonen, Taina & Saario, Antti Sakari. 2011. Äänen kosketus. Kybervärähtelevä manifesti. [The Touch of the Sound. A Cyber-vibrating Manifesto.]
Nuori Voima 1 (2011): 24–25.


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